Fairy Princess ballerina costume : hand dyed leotard with shelf bra, hand dyed bias drape, spray painted ballanchine and tulle net skirt with brass plate and rod adjustable support, spray painted ballanchine and tulle net collar, spray painted organza and millinery wire wings, millinery wire and gold trim tiara. All pieces can be easily removed from the leotard for washing. All support pieces are soldered, lock into position (and can be set by the dancer herself onstage), and are padded to protect the skin.

Venetian Lady, 1495: Silk overgown with interior snap tape to draw up either side of the skirt, false chemise and pieced sleeves, souffle neckline support, damask dirndl underskirt.

King Henry VIII, 1520: Parti-colored jerkin with long skirting and bell sleeves with false velveteen doublet, paned sleeves, and chemise; fur collar; slashed ultrasuede boot covers.

Bias Dress: 8 yards of poly charmeuse. Fitted and trained dress with front and back drapes and built-in underwire support.

Bustle dress: Pleated bodice and underskirt, draped sleeves and apron front and skirt train. Draped with corrected pattern in 7 hours.

1850's vest with 4 single-welt pockets and velvet shawl collar, plaid trousers with double welt pocket.

Black 3 layer mid-19th century petticoat : moire taffeta, 25 yards of ballanchine net in ruffles.

Black cotton print and coutil corset with spiral steel bones, tan double-layer coutil corset with spiral steel bones.

Black faille late Victorian boned bodice and knife-pleated trained skirt.

Pink waffle silk bonnet with pleated dupioni lining and brown silk satin ribbon.

Plaid wool vest with facings and cotton lining, plaid cotton peasant shirt.